Close-up of Korean punk girl getting tattooed

blonde seventeen year old private school girls wearing smart school uniforms in a grungy tattoo parlour. The tattooist is in his 40s, unshaven, wears glasses. He works on a tattoo on one of their arms. Photo real.

korean girl with flowers and small butterfly black tattoos, half body, beutiful, tattoos are fineline and beutiful, winter theme, no tatoo on face, entire head

fine art eagle tatoo, on the shoulder, one wing on the chest and the other wing on the back

a back tattoo of the back, the last judgment by michelangelo, ink --s 50 --style raw

cinematic scene of a Korean live rock club --ar 14:9

a cyber punk office, a macro closeup looking down on hands typing on a keyboard, the neon glow can be seen on the hands and keyboard, lots of purple and pink neon accents. Make the hand more of a subtle illustrated vector look and not a human hand. The shirt sleeves should be professional and similiar to a button up shirt or blazer --ar 16:9 --v 6.1

mandala design for dotwork mandala tattoo to back

In the heart of a cyberpunk city, a geisha stands as a fusion of traditional grace and futuristic vibrancy. Her attire is a neon-bright reinterpretation of the classic kimono, reflecting the digital city's energy. A striking back tattoo, aglow with neon flowers, extends gracefully, highlighting her figure against the urban backdrop. This tattoo, a symbol of her identity, radiates a soft, captivating light. Her face, with subtle cybernetic enhancements, is framed by traditional geisha makeup, enhancing her enigmatic presence. This full-length portrait captures the essence of a cyberpunk geisha, where the past's elegance meets the future's glow in a harmonious blend of color and light. KODAK PORTRA 800 --ar 4:5 --s 750 --v 6.0

A gray and navy comic page, be connected cut scene, militaristic realism, normal citizen realism, graphic novel, narrative, community, korean punk, korean girl, etam cru, gray and crimson, tightly cropped composition, masterpiece novel, high detail --ar 2:1