Hyperrealist gun and bullet

A sesame street, muppet style basic puppet of A-Bullet, a black female superhero in a blue and white athetic superhero outfit, blue goggles over her eyes

An hyperrealist contemporary painting by Turner depicting coastal seaside with tormented blue sky with various clouds and colorful hues. In the foreground on the beach : glamour woman painted in the style of Roberto Ferri standing and watching the sea and sky and a convertible car. --ar 3:2

An hyperrealist contemporary painting by Turner depicting coastal seaside with tormented blue sky with various clouds and colorful hues. Sunrise. In the foreground on the beach, 2 chimpanzees seating and watching the sunrise. --ar 3:2

a vintage philosophy book on the ground with bullet holes through it from years in the past, black and white, minimalist, sketch style, pencil drawing

An hyperrealist contemporary painting by Turner depicting coastal seaside with tormented blue sky with various clouds and colorful hues. Sunrise. In the foreground on the beach, 2 glamour women with slim curves and glamour dress painted in the style of Caillebotte and Manet. --ar 3:2

An hyperrealist painting by Edward Hopper depicting a glamour woman , wearing glamour dress waiting alone at a bar. This artwork features emotional expression and body movement. --ar 3:2

a simple closeup of a black and white empty .45 caliber bullet casing sitting alone and straight up on the ground with no in the bullet casing bullet with white background

Interior of a Japanese Shinkansen bullet train with rows of blue upholstered seats featuring dotted patterns, tray tables, and informational stickers in Japanese. Bright, clean lighting, orderly seating, and wide aisle. No passengers visible in the seats. In the aisle is an evil dark shadow silhouette of a man. --ar 16:9

An hyperrealist painting by Edward Hopper depicting a glamour woman , wearing glamour dress waiting alone in a train station. Background of steam engine. This artwork features emotional expression and body movement. --ar 3:2