Apocalyptic destruction in a post-civilisation world

Illustrate the highland regions adjacent to the Mesopotamian plain where human civilization is believed to have originated. Content: Highland landscape, Mesopotamian plain. Medium: Digital art. Style: Historical and geographical accuracy. Lighting: Natural sunlight over the landscape. Colors: Realistic portrayal of the terrain. Composition: A detailed landscape showing the origin of civilization. --ar 16:9 --v 5.1 --style raw --s 750

A captivating scene illustrating the dawn of civilization in ancient Mesopotamia, showcasing a vibrant landscape of lush plains with the Tigris and Euphrates rivers sparkling under the sun. In the center, a group of early Mesopotamians, filled with hope and joy, gathers around a young farmer who is plowing the fields, symbolizing the beginnings of agriculture. On the left, an elder teaches children to read ancient clay tablets inscribed with cuneiform writing, reflecting the importance of knowledge and cultural transmission. Above, soft, radiant light symbolizes the enlightenment of civilization, casting a warm glow on the distant silhouettes of ziggurats and ancient city structures. To the right, a lively marketplace scene unfolds, with merchants trading grains, pottery, and crafts, illustrating social interaction and economic growth. The edges of the scene include sheep and cattle, highlighting the harmony between humans and nature. The color palette features bright, warm tones of yellow, green, and blue, enhancing the vibrancy of life and the richness of the landscape. The overall atmosphere conveys a sense of hope and the profound significance of humanity’s first steps towards civilization --ar 16:9

medieveal fresco showing an advanced civilication being destroyed by magical spears falling form sky and huge monsters, simple

abstract art, a last moment, a final touch, a goodbye

A gargantuan tree that houses an entire civilization in its branches. The tree is kilometers tall and the top is lost in the clouds.

photograph of the end of the world as we know it

a visual about a graphic designer from our days traveled back to the Greeks civilization, this graphic designer is watching one of the ancient artists working on a statue --ar 4:3

A Strong beauty Xoloitzcuicle. Wearing Aztec jewerly and clothes. At the top of an Aztec pyramid. At the time of the splendor of the Aztec civilization. Green nature around. Natural day light. Magazine photo. Documentary photo. National geographic photo. Dust floating around. Photo direction. Art direction. --ar 16:9

Autumn is cold moonlight. Sun drops on the horizon, and fields are prickly stubble. There's creeping mist. There's brooding fog. Leaves are lost to trees. Twigs cast true intentions. Autumn is shadowless days, --ar 16:9 --p s9kqiec --v 6.1

Cold winter scene near Vladivostok, Russia on February 22, 1953, amidst the final days of Stalin’s rule. The foreground shows snow-covered military outposts with soldiers patrolling the perimeter, reflecting the region’s strategic importance. In the background, the icy Sea of Japan glistens under a cold, overcast sky, with naval ships visible in the distance. The lighting is dim and chilly, capturing the tense atmosphere of this militarized and remote area. --ar 16:9 --v 6.0 --style raw

Illustrate the origins of the Minoan civilization, centered around a detailed map of Crete Island showcasing its unique position in the Aegean Sea. Surround the map with natural landscapes related to its geography, such as towering mountains, vast oceans, and lush vegetation. Mark the locations of the Minoan palace and key settlements on the map, with ancient sailors and merchant ships in the surrounding waters, highlighting the island's significance as a trade hub. The background features a vibrant blue ocean and fluffy white clouds, creating a lively and historical atmosphere, And mark the location of Crete --ar 9:16