Detailed Evil Artwork: Edward Scissorhands and Pooky

Illustrate a profile of a solitary woman with Edward Gorey’s cross-hatching technique, capturing a minimalist and eerie atmosphere. Her figure should be simplified, with a sharp, stylized silhouette, wearing a high-collared, dark garment that blends seamlessly into the minimal background. Use intricate cross-hatching to add texture and subtle shadow to her hair and facial features, conveying depth. The background should be almost empty, with only faint vertical lines or distressed patterns to enhance the feeling of isolation. Include a small, symbolic motif--like a tiny bird or delicate clock face--floating nearby, hinting at themes of time and introspection.

An hyperrealist painting by Edward Hopper depicting a glamour woman , wearing glamour dress waiting alone in a train station. Background of steam engine. This artwork features emotional expression and body movement. --ar 3:2

neighborhood, Edward Gorey

a library in the style of edward hopper

an assasin in Edward Hopper-esque low poly dark game art style. heavily influenced by kentucky route zero. --s 750

a man with no eyelids stares at a wall by himself in a cave. In the style of Tim Burton animation --ar 7:5 --v 6.0

Immanuel Kant. Edward hopper painting

a painting in the style of Edward Hopper with a modern, cybrpunk theme, set in New York. --ar 32:18 --style raw --v 5.2

brunetter woman, bride in white dress, sitting back to camera, visible from back, painting aesthetics, aesthetics of Edward Hopper's paintings --s 250 --v 6.0

create a character design based on the little prince and edward scissor hands, 1800s, illustration, adventurous

character design of an assassin in Edward Hopper-esque low poly dark game art style. heavily influenced by Kentucky route zero. --s 750

ultra realistic side face photography of Edward Scisorhands, ultra realistic, ultra hd, extra detailed

An hyperrealist painting by Edward Hopper depicting a glamour woman , wearing glamour dress waiting alone at a bar. This artwork features emotional expression and body movement. --ar 3:2