Bald man talking to woman on phone

Envision Victorian intellectuals engaged in lively discussions, surrounded by books and the ambiance of intellectual pursuits.hyperrealistic

Gitar player with the pain of seperation from another person, a painting of a street scene with gold leaves, in the style of dreamlike illusionism, gray and blue, made of wrought iron, realistic yet romantic, colorful woodcarvings, pointillist dot paintings, monochrome canvases --ar 3:4

charistmatic businessman talking to his confused workmates in the office photorealistic --ar 16:9 --s 250

a brain separated, bright colors

conversations with treasure

screenshot from 2024 film beauty and the beast, medium shot, beautiful young brunette woman in 17th century attire in conversation with large menacing figure in shadows, dramatic lighting, candlelight, castle window with french pastoral in background, chiaroscuro, historical elegance --ar 16:9 --style raw

a man falling through the air , pieces of him separating as he falls

colorful background, ying yang, front back separation --ar 16:9 --upbeta

Two overweight female police officers, exuding confidence and arrogance, engaged in conversation while standing next to a police SUV in the center of a very upscale, futuristic subdivision. Medium: Rendered in an oil painting style, capturing the atmospheric solitude and emotional depth characteristic of Edward Hopper's works. Style: Hyper-realistic with a focus on intricate details, such as the fabric of the uniforms, the SUV, and the high-end, futuristic architecture of the subdivision, all imbued with Hopper's sense of isolation and introspection. Lighting: Late afternoon lighting casting long shadows and illuminating their confident facial expressions, the SUV, and the upscale subdivision, evoking Hopper's dramatic use of light and shadow. Colors: Muted blues for the uniforms, metallic grays for the SUV, and subdued, luxurious colors for the upscale subdivision. Composition: Imagined as if shot with a Canon EOS 5D Mark IV DSLR camera, EF 24mm f/1.4L II USM lens, with a wide depth of field to include both the officers and the expansive upscale subdivision. --ar 16:9 --v 5.1 --style raw --s 750